I gave Script Frenzy a solid shot this year. I plot­ted out my movie in advance, fixed all the plot holes, had some block­buster cin­e­matic moments planned. I started writ­ing the script, got about five pages into it, and real­ized some­thing. I’m not a screen­writer any­more. I’m a novelist.

I used to joke that I was a screen­writer trapped in novelist’s body, a nod to my very visual, very action-​oriented style of prose. And I used to really enjoy screen­writ­ing. I read movie scripts the way other peo­ple read nov­els. I watched movies con­stantly, see­ing prob­a­bly close to 100 films a year and rewatch­ing lots of favorites.

The prob­lem is I don’t do that any­more. I see maybe 20 movies a year, prob­a­bly closer to a dozen. For my leisure time, I’m usu­ally read­ing a book (well, an ebook). I just don’t have time to devote a cou­ple hours at a time to sit­ting in one place and watch­ing a story from begin­ning to end.

I got into screen­writ­ing in the first place because I didn’t think I had the patience for nov­els. I’d just fin­ished Between Heaven and Hell and hadn’t been able to make any seri­ous head­way on the sequel. Screen­plays were shorter, sim­pler, and more active. They cap­i­tal­ized on what were my strengths at the time, action and dia­logue. And I had a blast learn­ing how to write screenplays.

But that was over 10 years ago. In the inter­ven­ing decade, I’ve writ­ten hun­dreds of thou­sands of words, and all in either nar­ra­tive (nov­els) or essay (arti­cles) style. And in the process, I’ve lost the eye of my inner screen­writer. I don’t see sto­ries through a cam­era any­more. I see them from the omni­scient view­point of a novel’s narrator.

The work I did get­ting the story put together isn’t going to be wasted, though. The more I wrote on the screen­play ver­sion of Titanus, the more I wanted to write it as a novel. My favorite books when I was younger were Michael Crichton’s Congo and Juras­sic Park (long before either became a movie). More recently I’ve dis­cov­ered writ­ers like James Rollins (Ama­zo­nia, Sub­ter­ranean) and Jeff Rovin (Fatalis, Ves­pers) who also man­aged to find that mix of sci­ence and adven­ture that made Crichton’s best work so good. Titanus is my shot at join­ing their ranks with a science-​oriented thriller, and I think it will work just as well, if not bet­ter, as a novel as a movie.

If, for no other rea­son, that I’m a nov­el­ist now.